There is a Japanese word, momijigari, which literally translates to “red leaf hunting.” It sounds like a sport, but in reality, it is a spiritual exercise in witnessing the temporary beauty of the world. When I landed in Kyoto last November, I thought I was prepared for the colors. I had seen the photos; I had watched the documentaries. But standing in the middle of a centuries-old garden as a single, fiery maple leaf drifted slowly onto the surface of a moss-covered pond, I realized that Kyoto in the fall isn’t just a season—it’s a masterpiece that is being painted and erased at the exact same time.
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If Tokyo is the neon-lit heart of Japan’s future, Kyoto is the quiet, wooden soul of its past. It is a city of two thousand temples, countless tea houses, and a pace of life that feels like a direct protest against the modern world. For a traveler like me, who often finds beauty in the ruggedness of the exploring the hidden magic of the Scottish Highlands, Kyoto offers a different kind of awe: one of precision, intention, and absolute silence. It is a place where every rock in a garden and every fold in a kimono tells a story that stretches back over a thousand years.
The Fire of Arashiyama: Beyond the Bamboo
My journey began in Arashiyama, on the western outskirts of the city. Most people head straight for the famous Bamboo Grove—which is stunning, don’t get me wrong—but in the autumn, the real magic happens on the slopes of the mountains across the Oi River. The hillsides look like they are on fire, covered in layers of orange, crimson, and deep purple.
I spent an entire morning crossing the Togetsukyo Bridge (the “Moon Crossing Bridge”) and simply watching the water. There is a specific rhythm to Kyoto in the fall. The air is crisp, carrying the faint scent of roasted chestnuts and damp earth. As I walked toward the Tenryu-ji Temple, I noticed how the Japanese visitors interacted with the landscape. There was no shouting, no rushing. People stood in front of a single tree for ten minutes, just observing. It reminded me of the art of sitting still in a Paris cafe; the Japanese have mastered the art of being present long before it became a wellness trend in the West.
The Zen of the Silver Pavilion
While the Golden Pavilion (Kinkaku-ji) gets all the fame, my heart belongs to Ginkaku-ji, the Silver Pavilion. It was never actually covered in silver, but its understated elegance is exactly what makes it so powerful. The temple is surrounded by a sand garden, meticulously raked into patterns that represent the sea and the moon.
Walking through the moss gardens of Ginkaku-ji in late October is like walking through a dream. The contrast between the vibrant red maples and the deep, velvet green of the moss is so sharp it almost looks artificial. I sat on a wooden porch for a long time, watching a monk work on the sand garden. There is something deeply humbling about watching someone dedicate their life to a task that the wind or the rain will eventually undo. It’s a lesson in the impermanence of life—a theme that runs through every corner of Kyoto.
A Teahouse in Gion: More Than Just a Drink
You cannot understand Kyoto without understanding tea. One evening, as the blue hour began to settle over the narrow wooden alleys of Gion, I ducked into a small, nondescript tea house. The entrance was marked only by a small lantern and a noren curtain. Inside, the world changed. The sound of the city vanished, replaced by the soft hiss of a charcoal brazier and the rhythmic whisking of matcha.
The tea ceremony isn’t about the caffeine; it’s about the connection between the host, the guest, and the moment. As I sipped the bitter, frothy green tea, I thought about how much we rush our meals back home. In Japan, even a simple bowl of noodles is treated with a level of respect that we usually reserve for fine dining.

The Philosopher’s Path: Walking for the Soul
One of the most iconic walks in Japan is the Philosopher’s Path, a stone walkway that follows a canal lined with hundreds of cherry and maple trees. It’s named after Nishida Kitaro, a famous Japanese philosopher who used this route for his daily meditation.
In the autumn, it’s a corridor of gold. I walked the entire length of it, about two kilometers, stopping at the small, hidden shrines along the way. There are cats that live along the canal, well-fed by the locals, sleeping on the warm stones. It’s a walk that invites introspection. You start to think about your own journey, the paths you’ve taken, and the ones you’ve left behind. It’s the kind of place where you don’t need a map; you just need to let your feet lead the way.
The Kitchen of Kyoto: Nishiki Market
To see the more energetic side of Kyoto, you have to go to Nishiki Market. Known as “Kyoto’s Kitchen,” this narrow shopping street is a sensory overload. I saw things I couldn’t identify: pickled vegetables in every color of the rainbow, skewers of grilled baby octopus, and delicate wagashi (Japanese sweets) shaped like autumn leaves.
I tried a piece of tamagoyaki (rolled omelet) that was so light and fluffy it felt like eating a savory cloud. The vendor, a man who looked like he had been making the same dish for fifty years, gave me a small nod of approval as I ate. There is a pride in Japanese craftsmanship—whether it’s making a sword or making an omelet—that is deeply moving. It’s a reminder that anything worth doing is worth doing with your whole heart.
Kiyomizu-dera: A View from the Clouds
Before I left, I had to visit Kiyomizu-dera, the “Temple of Pure Water.” The main hall is built on massive wooden pillars that jut out over a hillside, offering a view of the entire city of Kyoto framed by a sea of red trees.
Standing on that balcony at sunset, watching the lights of the city begin to twinkle in the distance while the mountains turned purple, I felt a profound sense of gratitude. Kyoto doesn’t give its secrets away easily. You have to be willing to walk, to be silent, and to respect its traditions. But if you do, it offers a glimpse into a world where beauty and spirit are one and the same.
Practical Tips for the “Red Leaf Hunter”
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Timing is Everything: The peak colors usually happen in the last two weeks of November. However, different elevations change at different times, so you can usually find “peak” color somewhere in the city for about a month.
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The Evening Illuminations: Many temples, like Kodai-ji and Eikando, have special evening openings where they light up the trees. It’s a completely different, almost ghostly experience that you shouldn’t miss.
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Stay in a Ryokan: To truly feel the rhythm of Kyoto, skip the western hotels and stay in a traditional Japanese inn. Sleeping on a futon on a tatami mat and eating a multi-course kaiseki breakfast is an essential part of the experience.
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Walk, Walk, and Walk: Kyoto is a city best explored on foot or by bicycle. The buses are great, but the best discoveries happen in the small alleys where the buses can’t go.

Kyoto in the fall taught me that beauty is most precious because it is fleeting. The leaves will fall, the colors will fade, and the winter will come. But for those few weeks in November, the city becomes a reminder that even the process of “letting go” can be the most beautiful thing in the world.
As I sat on the Shinkansen heading back to Tokyo, watching the mountains fly by at 300 km/h, I closed my eyes and could still see that red maple leaf on the mossy pond. I realized then that I wasn’t just bringing home photos; I was bringing home a little bit of that Kyoto silence. And in our loud, busy world, that is the most valuable souvenir of all.

Taylor Smith is a passionate traveler since the age of 19 and currently lives in the United States. At 40 years old, Taylor loves exploring new cultures, experiencing local cuisine, and discovering authentic places around the world. He is also a dedicated writer, sharing his travel experiences and tips on this blog to help others make the most of their journeys in a thoughtful and inspiring way.
